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Stéphane Compoint, 47, has been a photojournalist since 1981 (press
card n°51939). After having successively collaborated with the
photographic press agencies Dppi, Sipa, Sygma and Witness, he is now an
independent photographer.
He has collaborated with the greatest international magazines, notably:
-Life, National Geographic Magazine, Time, Newsweek, New York Times Magazine (USA)
-Geo, Stern, Bunte, Focus (Germany)
-Sunday Times Magazine, Hello, Telegraph Magazine (United Kingdom)
-Sette, Specchio, Focus, Panorama (Italy)
-Olla, Geo, Muy Interesante (Spain)
-Newton (Japan)
-Geo (South Korea)
-Figaro Magazine, Paris Match, Géo, VSD, Sciences et Vie, Ca m'intéresse, Point de Vue, etc. (France)
He has also produced 11 photography books (3 of which collective
works), 10 expositions, 3 international advertising campaigns, and has
won 8 photography prizes (of which two World Press Photo for the
Firemen of the Desert in Kuwait in 1992 and for the Alexandria
Lighthouse in 1996).
For the last 10 years he has specialized in cultural, historic
and scientific stories. He takes part in extreme expeditions and
underwater missions.
He is also specialized in mid-aerial photography with an ultra light remote photo-balloon, making pictures at an altitude between 15 and 1500 feet, even at a very short to the feature (5 feet). Particulary efficient for urban, patrimony and buildings site features.
Al last, he produces stories in current events, tourism and portraits, and any kind of work for publishing, corporate work or advertising.
stephanecompoint.com is a site reserved for professional use
only. All of Stéphane Compoint's stories are placed on the site which
is updated monthly. The subjects are presented in a "ready to use"
format with photos, texts and captions in French and English.
The online images on stephanecompoint.com are
exclusive and governed by International royalty laws (see 'Site Terms
and Conditions of Use').
This web-site is always in the process of being developed: please
contact us if you are looking for certain stories, texts or captions
that have not yet been integrated.
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